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With the release of Max 7, Cycling ‘74 introduced a number of new capabilities to the venerable visual programming language. Among the many innovations are a several objects and devices that offer new possibilities in real-time intonation, pitch and time correction. Since Max for Live (as of Live 9.2) is based on Max 7, we wanted to highlight some of the new devices Cycling ‘74 introduced with Max 7 in the form of this convenient, free Pack for all Max for Live users.

Max 7 Pitch and Time Machines includes the following devices, grouped by category:

Sample Playback

Classic Player – A standard stereo/dual-mono sample player. This device uses the groove~ object without pitch/time corrections. It features the basic patch structure used in some other more complex examples.

PitchTime Player – A stereo/dual-mono sample player with pitch and time correction. This device introduces some settings which control the pitch and time correction feature.

PitchCorrect Player – A stereo/dual-mono sample player with pitch and formant correction. This device introduces some settings which control pitch and formant correction.

Synced Player – A stereo/dual-mono sample player synced to transport. This device uses the time/pitch correction feature of the groove~ object in order to play in sync with Max or Live's transport.

Bit Player – A sequence-able sample player, synced to transport. This device allows for re-ordering sample playback in sync with Max or Live's transport.

Sampler Instrument – A polyphonic sampler instrument with time-stretching. This device uses the time/pitch correction feature of the groove~ object in a MIDI instrument structure. The DSP part of the patch is embedded into a poly~ container, allowing you to load an open number of instances of a patcher file, and thus allows the use of polyphonic audio synthesis, audio processing, or even control tasks.

Pitch Shifting

Simple Pitch Shifter – A simple stereo pitch shifter. This device uses the pitchshift~ object to perform sound transposition.

Pitch&Vibrato – Stereo pitch shifter with vibrato. This device uses the pitchshift~ object to perform sound transposition. We've added a double LFO which acts as a pitch vibrato.

Pitch&Echo – Stereo pitch shifter with vibrato & feedback. This device uses the pitchshift~ object to perform sound transposition. We've added a double LFO which acts as a pitch vibrato. Additionally, the device inserts the pitch transposer into a delay line to create the famous 'harmonizer' sound.

Dual Harmonizer – A dual-mono pitch shifter with vibrato and feedback. This device uses the pitchshift~ object to perform sound transposition. It is similar to the Pitch & Echo device, except that the stereo echo effect is split into two independent mono delay lines, so that each audio channel can be treated separately.

Multi Harmonizer – 10 notes/20 voices pitch shifter. This device uses the pitchshift~ object in a polyphonic patch structure, thus allowing multiple harmonizations. The DSP part of the patch is embedded into a poly~ container, allowing you to load an open number of instances of a patcher file, and thus allows the use of polyphonic audio synthesis, audio processing, or even control tasks.

Pitch Analysis

Pitch Tracker – This device uses the retune~ object to perform some pitch tracking from monophonic input sound. The detected pitch can be monitored using a simple monophonic synthesizer. The estimated pitch and velocity are transformed into MIDI notes, which can be sent to other devices using the MIDI outlet when the device is used in Max. In Live, we use a special MIDI-side-chaining device, called 'Max MIDI Receiver,' in order to catch MIDI data from other devices such as the present one.

Vocoding

Mono Vocoder – A dual-mono vocoder. This device uses the retune~ object to force a monophonic signal to a given pitch, thus acting like a vocoder device. Pitch correction can be tweaked with some dedicated parameters, according to the type of sound that is processed.

Poly Vocoder – 10 notes/20 voices vocoder. This device is similar to the Mono vocoder device, but uses a polyphonic patch structure, thus allowing multiple harmonizations. The DSP part of the patch is embedded into a poly~ container, allowing you to load an open number of instances of a patcher file, and thus allows the use of polyphonic audio synthesis, audio processing, or even control tasks.

Retuning

Autotuna – A scale-based microtonal auto-tuner that can use Scala files. This device uses the retune~ object to tune the audio to a given scale. Scales can be either entered by hand, or loaded from Scala files – a file format for musical tunings that is a standard for exchange of scales. Learn more about Scala.

Microtuner – A table-based microtonal auto-tuner that can use Scala files. This device is similar to the Autotuna example device, except that scales are entered using a graphic function whose shape can be curved, thus providing some unexpected pitch scales.

MIDI-Side Chaining

Max MIDI Sender & Max MIDI Receiver – In Live, audio and MIDI tracks don't communicate any MIDI data to each other. However, in some cases sending MIDI data to an audio effect might be useful: for instance, if you'd like to send a MIDI chord to a vocoder or harmonizer device using a MIDI keyboard.

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Max for Live, potentially offers endless new MIDI and Audio Effects, Instruments and Video Devices .

Since Ableton Live 9. Max for Live is bundled with the Suite version of Live.

If you are not already using Max for Live you should first check out the Max for Live Essentials Pack which includes very useful tools for your production including a the brand new Convolution Reverb.

Max is a visual programming language designed for media artists. You can start building your own devices and edit other’s

Max

Shortly after Max for Live was introduces maxforlive.com started. There you can find hundreds of free and paid M4L devices and library is growing everyday!

I always love finding new Max for Live devices and I’ll start posting the ones that stand out which I find myself using more regularly.

Palmas

I’ve been using Palmas for a while now. It makes a very realistic clap sounds. It’s really simple and just works. It allows you do decide how many people are clapping and even automate it.

So you can go from one person clapping to a big group of 32 people clapping.

You can even change how accurately timed the claps are. You can change the pitch and even the sound across the stereo field.

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If you’re looking for more live sounding organic claps, Look no further.

Download Palmas (Free)

Palmas is part of a pack of devices created by Beyond-Digital. The included instruments are more focused on ethnic scales called Maqams. All the devices share a very unique and beautiful design.

J74 Harmotools

I’ve always envied Logic‘s built-in chord detector you can find in the global transport bar. Finally you can have one just like that with Max for Live.

J74 Harmotools are a collection of Max MIDI effects to help you with your compositions. Inside the pack you can find the HarmoChord J74. Simply load it into a MIDI track and start playing, it will tell you which chord you playing or which chord is being played from the MIDI clip.

Download J74 Harmotools (Free)

Stereo Imager

You can achieve stereo widening effect in various ways in Ableton Live (Utility, Frequency Shifter, Filter Delay etc.) but this Stereo Imager from Calvin Lanz just works straight out of the box. Drop it on any track and you’ll instantly hear the sounds completely spread across the stereo field. Really great on Pads, Noise, Textures, Arpeggios and Backing Vocals.

Download Stereo Imager (Free)

Track Stereo Pan Enabler

Ableton’s lack of a true stereo panning is hardly talked about. In Live the Pan knobs only function as a Stereo Balance. Meaning that they only turn down one side as much as you turn the Pan knob.

To get true stereo panning you can use Faint Response – Track Stereo Pan Enabler a free Max Audio Effect from Marc Sprecher.

Place the device on any Audio track and instantly it will take over that Track’s panning. Now using the regular Pan knob you used all along you can achieve true stereo panning that will more naturally change the perceived sonic angel of the sound and not just turn down the left or the right channel. Valuable on the stereo sounds of your tune. It might even solve you some mixing problems.

Download Track Stereo Pan Enabler (Free)

For more details on the panning limitation in Live check out the very informative video from Urple Eeple.

One

Might be the most simple yet useful Max for Live device out there. Created by Certified Trainer Yehezkel Raz out of Israel.

This Device has only one knob. You map this knob to one of the knobs/faders on your MIDI controller. Then every parameter in Live that you click with your mouse will be controller by that one knob/fader on your MIDI controller! So you can basically use one knob to control any parameter in Ableton Live!

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You can get a lot more free and useful Max for Live devices like this on Yehezkel’s blog 4live.me

Max Devices Installation

Drag the downloaded file to:

Max Instruments: User Library -> Presets -> Instruments -> Max Instruments

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Max MIDI Effects: User Library -> Presets -> MIDI Effects -> Max MIDI Effects

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Max Audio Effects: User Library -> Presets -> Audio Effects -> Max Audio Effects

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Do you know of any must have Max for Live devices? Let me know, Would love to check them out.

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